![]() ![]() ![]() And now with the band’s own Lewis Coleman stepping up to the mic, a vocal dimension has become part of The Cactus Channel’s fully formed, signature sound. These outings were a glimpse of the alchemy of adding vocals to the band’s typically intuitive, instrumental arrangements. There were signifiers along the road a boundary-splintering EP with Ball Park Music singer Sam Cromack earlier this year, following a 7” single collab with Nick Murphy, released as The Cactus Channel feat. The new embodiment of The Cactus Channel flexes their classic soul and funk influences whilst expanding their own songwriting along psychedelic paths, adding weight and substance to their melodic and rhythmic axis. Unloosed from their earlier incarnation as an instrumental soul and funk band into something wilder, a little darker and heavier, the new album sees The Cactus Channel diving in deep to dreamlike soundtracks, electrifying wig-outs and woozy meditations. The ever-evolving Melbourne collective’s new album represents a new consciousness and a decisive turning point. ![]() Three is the magic number for The Cactus Channel. ![]() The Cactus Channel’s third album Stay A While takes the orchestrated soul futurism that has become their signature sound and adds silvery vocal dimensions, as the band’s own Lewis Coleman steps up to the mic. John's "I Walk on Gilded Splinters" and invite his disciple Noel Gallagher (Oasis) along to jam. Still, he has the good sense to revive Dr. Unfortunately, too much of it is spent on drawn-out grooves that are self-conscious about their own authenticity. That doesn't mean he has neglected his songwriting - a handful of Weller classics are scattered throughout the album. Stanley Road in particular features more jamming than any of his previous work. Weller's music has always had R&B roots - the major difference with both Wild Wood and Stanley Road is how much he and his band stretch out. (At this point, the sound of the Jam matters little in what this music sounds like.) Named after the street where he grew up, Stanley Road could be seen as a return to Paul Weller's roots, yet his roots were in the Who and the Kinks, not in Traffic. 2, a continuation of the laid-back, soul-inflected rock that dominated his previous albums. In many ways, Stanley Road is Wild Wood, Pt. ![]()
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